XPQ-21
Germany in 1991 - the nation has been reunified for a while now. The music world is facing the greatest revolution since the invention of rock’n’roll. Acid House and New Beat have emerged out of Belgium and set the tone for things to come, and Techno House and Rave are conquering the world - a time of discovery and exploration. Unlike other acts of the time who dedicate themselves to the attitude of the hands-in-the-air generation, Jeyênne screams into the microphone and terrorises the community with his punk attitude, climbing fences and crossing borders that shake the dance scene awake. He is something unheard of, and the ravers' little white gloves and cheap whistles suddenly turn into objects best hidden where the sun does not shine.
During this euphoric time of change and renewal, Jeyênne writes a song titled “XPQ-21“.
It turns into one of the first techno hits on what is still a very young scene. What follows, though, is an uncontrollable chain reaction. Everything is happening at once. The world is breathing techno. Even the most inconsequential little children's ditty is set to a techno beat. With considerable history under his belt and countless productions to his name, Jeyênne and his band XPQ-21 continue to ride the crest of the wave, rocking like they have never done before.
| # | Name | Plays |
|---|---|---|
| 1 | Jesus Was Gay | 442 |
| 2 | Dead Body (Dopestars Inc. Remix) | 175 |
| 3 | White and Alive | 181 |
| 4 | Beautiful | 142 |
| 5 | Rockin' Silver Knight | 141 |
| 6 | Everything | 82 |
| 7 | White And Alive (club) | 113 |
| 8 | Stay Till Tomorrow | 66 |
| 9 | Dead Body | 92 |
| 10 | Gork Tut | 81 |







